Beyoncé Makes History as First Black Woman to Top US Country Chart
Beyoncé Makes History as First Black Woman to Top US Country Chart – Beyoncé has achieved a historic milestone by becoming the first Black woman to claim the top spot on the US country chart with her latest single, ‘Texas Hold ‘Em.’
This remarkable accomplishment comes as part of the singer’s announcement of her eighth studio album, ‘Renaissance Act II,’ scheduled for release on March 29. In addition to ‘Texas Hold ‘Em,’ Beyoncé has shared another track from the album, titled ’16 Carriages.’
Billboard’s Hot Country Songs chart now sees Beyoncé as the first Black female artist to reach Number One, marking a groundbreaking moment in the genre’s history.
Notably, she joins Taylor Swift as the only two solo female acts without featured artists to debut at Number One on this chart, with Taylor Swift achieving this feat in 2021 with re-recorded versions of ‘Love Story’ and ‘All Too Well.’
Beyond the country realm, Beyoncé has also made history by topping both the Hot Country Songs and Hot R&B/Hip-Hop Songs charts simultaneously.
This achievement, dating back to the charts’ inception in 1958, places her alongside a select group of artists, including Justin Bieber, Billy Ray Cyrus, Ray Charles, and Morgan Wallen.
The latest chart update, as of February 20, covers the seven days leading up to February 15. Despite the short tracking period of just four days since its release on February 11, ‘Texas Hold ‘Em’ garnered impressive numbers.
According to entertainment data company Luminate, the single accumulated 19.2 million streams and 39,000 downloads in the US during this brief period. While debuting at Number Two on the Hot 100 chart, ‘Texas Hold ‘Em’ solidified its impact across various metrics.
The accompanying track, ’16 Carriages,’ made a notable debut at Number 38 on the Hot 100 and secured the ninth spot on Hot Country Songs. Both charts amalgamate sales, streams, and radio airplay.
Positioned as the second installment in a projected ‘Renaissance’ trilogy of albums, ‘Act II’ is set to further showcase Beyoncé’s artistic evolution and dominance across diverse musical genres.
On a contrasting note, Azealia Banks has expressed criticism of Beyoncé’s venture into a country-tinged direction, suggesting that the artist may be “setting herself up to be ridiculed.” This diversity of opinion underscores the dynamic nature of Beyoncé’s artistic choices and the varied responses they elicit within the music community.
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